Some Days I See Well

  Something   about the colors, something about the moment.  Varanasi, India

Something about the colors, something about the moment. Varanasi, India

 

“If I could say it in words, there would be no reason to paint.” — Edward Hooper

Our final morning on the Ganges was magical. Maybe it was the beautiful light or the rythmic progress of the hand-rown boat through the water that lulled me into that wordless state so conducive to creativity. Whatever the reason, for a time, I felt fluent in the visual language. I perceived scenes and moments directly as images without the filter of words. Seeing and composing photographs felt effortless and joyful. Scientists label this mindset a Flow state. Athletes refer to it as being In the Zone. I call it C-mode, for Creative mode. 

 

What is the Art of Seeing?

  “There’s nothing worse than a sharp picture of a fuzzy concept.”  -Ansel Adams

“There’s nothing worse than a sharp picture of a fuzzy concept.” -Ansel Adams

People ask me what I mean by the Art of Seeing. Quite simply, it’s the ability to turn off language based Logic-mode thinking and momentarily exist in C-mode, where thinking happens in ideas, images, and feelings. It’s familiar territory to us all…we go there automatically when we look at pictures and we innately understand its vocabulary. That’s why everyone instantly recognizes good photographs. It’s why you knew what a good picture was long before you learned the first thing about photography. But when we try to speak in this tongue, to create photographs, we often feel clumsy and ineloquent. Most people think the problem is a lack of that rare quality called talent,  the Photographer’s Eye is a gift bestowed to but a few. But I’ve learned that the real issue has more to do with using the wrong tool for the job. 

The craft aspect of photography complicates things even more because it seduces you into believing all of the answers lie there....as long as I have the right equipment and really know how to use it, I will produce great pictures. But it’s not true. Gear and technique undeniably impacts the appearance of photographs, but the role of craft is to execute and polish our vision. It’s the vision itself that is the heart of image making...it’s what the image is about, it’s the difference between taking pictures and making photographs. 

 

Seeing is a Skill…and a Journey

  “You can polish a turd, but what you get is a shiny turd.”  - Ken Lee

“You can polish a turd, but what you get is a shiny turd.” - Ken Lee

Learning this lesson was my 'aha moment’ as a photographer and I’ve spent a lot of my career since studying the creative process...and ways to hack it. What I’ve settled on is that Seeing is a skill, one that anyone can learn. I know this from experience. C-mode Seeing didn’t come naturally for me, far from it… but the more I work on it, the easier it becomes. But Seeing is also a practice, in the sense that meditation is a practice. It’s more a lifelong journey than a mountain you summit. And as with all journeys, some days or moments are better than others. The good times are our moments of clarity, the experience of being in flow, in the zone, fully present. It’s the elusive runner’s high that keeps us chasing the dragon. But can that dragon be tamed to show up more often, preferably on demand? I’m still working on that, but over the years, I’ve learned some tricks, creative hacks if you will, that entice the muse to appear more reliably. Some are lessons learned from others and some I discovered on my own. I’ve jotted down a dozen or so of my favorites in a short ebook called, Shifting Into C-mode: Practical Ways to Sharpen Your Creative Vision. It’s a free download on my website, I encourage you to check it out if you have any interest in ‘the other half of photography.’ 

This article is the first in a series I’m calling my Art of Seeing Manifesto. I hope you enjoyed it. Stay tuned for the next installment, Your Next Breakthrough Won’t Be Your next Camera.