Insights and musings about photography and the creative process
And the Winner Is...
Announcing The Art of Seeing Venice Photowalk contest! Stay tuned for our next photo contest.
Wow, I never thought that choosing the winner of the Venice Photowalk contest would be such a tough task. But you guys submitted so many fantastic photos here and on Instagram that picking “the best” one had me pulling my hair out...and I have precious little to spare :)! For the sake of my scalp, I think we will leave such things up to a vote in the future.
At the end of the day, though, something kept me coming back to this amazing shot from Senthil Kumar. There are a lot of things I love about this image; shooting the bowls empty was a great idea and the beautiful light and undulating curves remind me of sand dunes. It’s also a great example of the difference between taking a picture of something and making a photograph using the available elements. Ultimately, like all successful pictures, it just works.
Congratulations, Senthil! Your prize is an 11X14 mounted enlargement of your winning image. You also receive a one year KelbyOne membership and your image will be forwarded as our location’s entry into the Kelby competition for additional prizes. Good luck!
Very honorable mentions go to:
Thanks again to everyone that submitted and took part in the Photowalk! Be sure to check out our Meetup Page for future events, workshops, and contests like this!
Ken
Seeing in Color
Here's a great (unintentional) example of how color, or more particularly, the color of the light can...
Here's a great (unintentional) example of how color, or more particularly, the color of the light can impact the mood of an image. I went to the Venice Beach Pier the other day to do some scouting for a photowalk I'm leading this weekend. I wanted to catch the last rays before sunset but I got there a little later than planned and the sun was disappearing below the horizon by the time I reached the base of the pier. Looking northwest 'up' the shoreline, the light reflecting off the wet sand caught my eye. I raised my camera, composed and made a few exposures. Pretty standard stuff...but still pretty. Then I turned around and saw that the view 'down' the shore also looked interesting. I especially liked the lines of foam some of the waves made as they rolled onto the beach. I shot a few more frames and moved on. Later, as I was reviewing my haul on the computer, the thing that jumped out at me was the difference in the colors of the two groups of images. The upshore shots which included the sunset sky and its warm light reflecting off the water look completely different than the downshore shots which are dominated by deep blue tones from the twilight sky. The thing is, I made all of these images from basically the same spot just facing different directions, and when I check the time stamps, there's only a 5 minute difference from the first to the the last frame. I won't try to describe the mood of either set of shots or even offer an opinion about which one is 'better'. These are things that are different for each viewer. But it's hard to deny that the two feel dramatically different...and it all comes down to the color of light.
By the way, if you are in the LA area this weekend and want something fun to do, join us for our Venice Beach Photowalk. It's part of Worldwide Photowalk Day. The walk happens on Saturday, Oct 1 and we will start at the base of the Venice Pier at 5pm. Hope to see you there!